Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION [recto]

   Porcelain, stoneware, earthenware, hot glue. 13” x 19” x 13”, 2021

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

[TOP] SINGLE CHANNEL PROJECTION, A SINGLE TON(E) FOR LEWITT

Unfired porcelain, nails. 84” x 146” x 2”, 2021

[BOTTOM] SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION [verso]

   Porcelain, stoneware, earthenware, hot glue. 13” x 19” x 13”, 2021

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

[LEFT] MIZZOU MANICULE: THE I THAT IS A WE, AND THE WE WHICH IS AN I

   Paper US letter format, inkjet, blue tape. 84” x 109”, 2021

[RIGHT] A GODZILLA SPINED KANGAROO, STANDING LIKE A PENGUIN LOOKING UP AT THE MOON — ASEMIC CONSTRUCTION

   Porcelain, stoneware, earthenware, hot glue. 32” x 15” x 14”, 2021

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

A GODZILLA SPINED KANGAROO, STANDING LIKE A PENGUIN LOOKING UP AT THE MOON — ASEMIC CONSTRUCTION

   Porcelain, stoneware, earthenware, hot glue. 32” x 15” x 14”, 2021

Study view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

5 + [  ] = 16 TILE BASE FOR MIZZOU MANICULE 

   Image studies of Manicule crimp makers hands, jpeg. Dimensions variable, 2021

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

HEART OF A LEVIATHAN — ASEMIC CONSTRUCTION 

   Porcelain, stoneware, earthenware, hot glue. 23” x 16” x 14”, 2021

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

[LEFT] HEART OF A LEVIATHAN — ASEMIC CONSTRUCTION 

   Porcelain, stoneware, earthenware, hot glue. 23” x 16” x 14”, 2021

[RIGHT] SO, THEY CALL THIS FORMAT TWO CHANNEL VIDEO — SEMIC RELATIONS OF  BAR/BAND BINGHAM ITERATION

Unfired porcelain, stoneware, earthenware, nails. 81” x 168” x 2”, 2021

Study view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

DETAIL OF BAR/BAND COMPONENTS AND LEFT CHANNEL OF SO, THEY CALL THIS FORMAT TWO CHANNEL VIDEO — SEMIC RELATIONS OF BAR/BAND BINGHAM ITERATION

Unfired porcelain, stoneware, earthenware, nails. Dimensions variable, 2021

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

A CAUTIONARY BABBLING FOR VLADIMIR TATLIN — ASEMIC CONSTRUCTION

Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

[LEFT] A LUMINIST GATHERING OF LENTICULAR CLOUDS FOR G. C. BINGHAM

Porcelain, insulation foam, ratchet strap. 8” x 38” x 6”, 2021 

[RIGHT] A CAUTIONARY BABBLING FOR VLADIMID TATLIN — ASEMIC CONSTRUCTION

   Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021

Close-up view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

AWRY-DETAIL OF THE DRIFTING BLUE STRAPPED LENTICULAR CLOUD 

   Porcelain, lavender insulation foam, ratchet strap, light & shadow. 14” x 40” x 12”, 2021

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

[CENTER] ‍ ‍SPOILS OF THE CHURN: MOVING THE PILE or THE ONLY WAY OUT IS THROUGH [recto]

Unfired stoneware, hand-truck, ratchet strap. 52” x 34” x 22”, 2021

[LEFT]‍ ‍ A LUMINIST GATHERING OF LENTICULAR CLOUDS FOR G. C. BINGHAM

   Porcelain, insulation foam, ratchet strap. 72” x 130” x 12”, 2021 

[RIGHT] A CAUTIONARY BABBLING FOR VLADIMID TATLIN — ASEMIC CONSTRUCTION

‍ ‍ Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

SPOILS OF THE CHURN: MOVING THE PILE or THE ONLY WAY OUT IS THROUGH [verso]

‍ ‍Unfired stoneware, hand-truck, ratchet strap. 52” x 34” x 22”, 2021

Ybor Cloud

Stoneware, blue insulation foam, ratchet strap, light & shadow. 8’ x 8’ x 9”, 2011

Cartage Plates: Porcelain & Terracotta

Molochite, red grog, wooden pallets, plastic ice cream buckets. 3’ x 10’ x 6’, 2011

DOMESTIC ANIMAL (MUG SHOT)

Stoneware, soda fired porcelain, inlay slip, glaze, hot-glue, plywood, towel, chair seat, molochite. 14” x 16” x 15”, 2012

DAZZLE-FLAUGE: SCRIM N’ CUT — OBSERVER      

   Paper porcelain, polychome inlay slips, and glazes. 14” x 7” x 6.5”, 2019

[TOP] WE ARE (LEGION) or DREAMING OF COOLER TIMES — OBSERVER

[BOTTOM] DETAIL OF VISIOR AND SURFACE INLAY OF WE ARE (LEGION) or DREAMING OF COOLER TIMES — OBSERVER

   Stoneware, polychrome inlay slips, engobes, and glazes. 24.5” x 13” x 13”, 2019

WIND IN THE EYES — OBSERVER

   Stoneware, polychrome inlay slips, engobes, and glaze. 5.5” x 4.75” x 4.75”, 2019

ERRANT — OBSERVER 

   Paper porcelain, polychrome inlay slips, engobes, and glazes. 13” x 8” x 8”, 2019

BLOOD ORANGE VISORED — OBSERVER 

   Black stoneware, polychrome inlay slips, engobe, and glazes. 13” x 8” x 8”, 2019

TOHISOO VASE DIPTYCH

‍ ‍Anagama fired stoneware, polychrome slips, ash. 16” x 16” x 7”, 2016

SATIN BLACK, STONEWARE, ANAGAMA FIRED — INCHOATE DRINKING VESSEL

   Ceramic. 3.5” x 4.5” x 4.5”, 2014

ORANGE SLIP OVER BLACK PORCELAIN, OXIDATION ATMOSPHERE— INCHOATE DRINKING VESSEL

   Ceramic. 4.5” x 5” x 4.5”, 2019

MOTTLED STONEWARE, WOOD-SALT FIRED — INCHOATE DRINKING VESSEL

   Ceramic. 4” x 4.5” x 4.5”, 2014

POLYCHROME SLIPS, RED-STONEWARE, OXIDATION ATMOSPHERE — INCHOATE DRINKING VESSEL

   Ceramic. 4” x 4.5” x 4” 2018

STONEWARE, ANAGAMA FIRED — INCHOATE DRINKING VESSEL

   Ceramic. 4.5” x 6.5” x 5.5”, 2016

SATIN BLACK, PORCELAIN, ANAGAMA FIRED — INCHOATE DRINKING VESSEL

   Ceramic. 3.5” x 4.5” x 4.5”, 2014

SATIN POLYCHROME, PORCELAIN, WOOD-SODA FIRED — INCHOATE DRINKING VESSEL

   Ceramic. 3.5” x 4.25” x 3.75”, 2014

BLACK SLIP, RED INLAY AND FISH SCALE CELADON GLAZE, REDUCTION ATMOSPHERE — INCHOATE DRINKING VESSEL

Ceramic. 3” x 3.7” x 3.2”, 2019

MFA, K. Coughlin — Appendage

Performer, ceramic, textile, cord. 48” x 60” x 24”, 2018

MFA, S. Mack — (untitled) Hydrias

Ceramic. 30” x 26” x 17”, 2018

MFA, D. Katz — Mediated Landscape

Ceramic, clay, wire, paint. 25’ x 32’ x 12’, 2012

MFA, A. Puryear — The Man with a Mask who makes Robots, with Robots [Time Laps Views]

‍ ‍ Ceramic, plaster, plastilina, oobleck. 60” x 30” x 41”, 2012

MFA, E. Buss — Wander | Wonder

Ceramic, clay dust. 2’ x 40’ x 30’, 2018

MFA, B. Pariso — Bubblegum [Multiple Views & Detail]

‍ ‍ Ceramic, soils, thread, bubblegum. 6’ x 2’ x 3’, 2012 

MFA, H. Blackwell — I am what I am

‍ ‍ Ceramic, lithophane, auto-paint. 36” x 11” x 11”, 2011

MFA, C. Watkins — Pierrot The Party-hound

Ceramic. 36 ”x 18” x 30”, 2012

Post-baccalaureate, A. Bryant — Devore, and Surface Detail 

Earthenware. 3" x 23" x 11", 2019

Post-baccalaureate, K. Luther — At Rest 

Photo, clay, model. 36" x 60" Print, 2012 

Post-baccalaureate, R. James — (Untitled) Pixel Head #2 

Woodfired earthenware, wire. 13" x 13" x 9", 2012

BFA, B. Cirgin — Seems Simple 

Ceramic. 24" x 24" x 6", 2012

BFA, C. White — Cycles 

Ceramic, paint. 8" x 20" x 6", 2012 

BFA, B. Cirgin — Shaped Bowls 

Anagama fired ceramic. 5" x 20" x 5", 2012

BFA, E. Pechacek — Tamped Vase

Stoneware. 20" x 6.5" x 6.5", 2012 

BFA, G. Heaney — Two Figures 

Earthenware. 14" x 20" x 8", 2012

BFA, C. Smart‍ — Brown/Green Cup 

Soda-fired ceramic. 3.5" x 3" x 3", 2012 

Introductory Ceramics, Slab Project‍ — ‍Trompe-l'oeil 

Stoneware. 15" x 3.5" x 12", 2011 

Intermediate Low Fire, Slab Project — Contrasting Variations: Dazzle Camouflage (Rectilinear & Curvilinear)

Earthenware. 11" x 24" x 10", 2018

Introductory Ceramics, Historical Project‍ ‍— Dogū 

Stoneware. 20" x 11" x 6", 2013 

Beginning Sculpture, Found Object Touchstone — Ascendant Cereal 

Found object, epoxy, cereal, paint. 6" x 9" x 6" 2020 

Introduction to High Fire Ceramics,  Slab Project‍ — ‍Winter Fox Butter Dish 

Ceramic. 4.5" x 6" x 3.5", 2017 

Intermediate Low Fire, Historical Project‍ ‍— Moche, Contrasting Variations: Decay & Study 

Terracotta. 14" x 22" x 9", 2018 

Intermediate Low Fire, Historical Project‍ — ‍Jōmon, Contrasting Variations: Historic & Circuitry  

Terracotta. 18" x 35" x 14", 2018 

BFA Seminar Laboratory Special Projects,  Thrown Project‍ — ‍Standing Bubble Screen

Ceramic. 19" x 28" x 3", 2018 

Intermediate Low Fire, Throwing Multiples — Doughnuts 

Earthenware. 5" x 34" x 20", 2018 

Introduction to High Fire Ceramics, Functional Throwing Project‍ ‍— Mug, Mug, Cup, and Mug

Ceramic. 5" x 22" x 4.5", 2018

Introduction to High Fire Ceramics, Coil Building Project — "Don't shoot!" 

Ceramic. 13" x 9" x 4", 2018 

Introduction to Ceramics, Historical Project — Classical Greece

Terracotta. 29” x 38” x 34” 2009

Technical Ceramics: Introduction to Materials, Properties and Applications, Glaze Tests — Class Glaze Tile Rug

Polychrome glazes, red stoneware, porcelain, stoneware. 0.2" x 72" x 54.5", 2018 

‍ ‍

Technical Ceramics: Introduction to Materials, Properties and Applications, Building with Materials —Translucent Cast Lighting [Multiple Exposures] ‍ ‍

Porcelain, electric cord. 16" x 5" x 4", 2018