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Ian Meares

  • Ian Meares
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     SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION       Porcelain, stoneware, earthenware, hot glue. 13” x 19” x 13”, 2021

SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION

   Porcelain, stoneware, earthenware, hot glue. 13” x 19” x 13”, 2021

   [TOP]       SINGLE CHANNEL PROJECTION, A SINGLE TON(E) FOR LEWITT          Unfired Porcelain, nails. 84” x 146” x 2”, 2021    [BOTTOM]      SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION       Porcelain, stoneware, earthenware,

[TOP] SINGLE CHANNEL PROJECTION, A SINGLE TON(E) FOR LEWITT

Unfired Porcelain, nails. 84” x 146” x 2”, 2021

[BOTTOM] SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION

   Porcelain, stoneware, earthenware, hot glue. 13” x 19” x 13”, 2021

   [LEFT]      MIZZOU MANICULE: THE I THAT IS A WE, AND THE WE WHICH IS AN I       Paper US letter format, inkjet, blue tape. 84” x 109”, 2021    [RIGHT]      A GODZILLA SPINED KANGAROO, STANDING LIKE A PENGUIN LOOKING UP AT THE MOON —

[LEFT] MIZZOU MANICULE: THE I THAT IS A WE, AND THE WE WHICH IS AN I

   Paper US letter format, inkjet, blue tape. 84” x 109”, 2021

[RIGHT] A GODZILLA SPINED KANGAROO, STANDING LIKE A PENGUIN LOOKING UP AT THE MOON — ASEMIC CONSTRUCTION

   Porcelain, stoneware, earthenware, hot glue. 32” x 15” x 14”, 2021

     A GODZILLA SPINED KANGAROO, STANDING LIKE A PENGUIN LOOKING UP AT THE MOON — ASEMIC CONSTRUCTION       Porcelain, stoneware, earthenware, hot glue. 32” x 15” x 14”, 2021

A GODZILLA SPINED KANGAROO, STANDING LIKE A PENGUIN LOOKING UP AT THE MOON — ASEMIC CONSTRUCTION

   Porcelain, stoneware, earthenware, hot glue. 32” x 15” x 14”, 2021

     15 + [  ] = 16 TILE BASE FOR MIZZOU MANICULE        Image studies of Manicule crimp makers hands, jpeg. Dimensions variable, 2021

15 + [  ] = 16 TILE BASE FOR MIZZOU MANICULE 

   Image studies of Manicule crimp makers hands, jpeg. Dimensions variable, 2021

     HEART OF A LEVIATHAN — ASEMIC CONSTRUCTION        Porcelain, stoneware, earthenware, hot glue. 23” x 16” x 14”, 2021

HEART OF A LEVIATHAN — ASEMIC CONSTRUCTION 

   Porcelain, stoneware, earthenware, hot glue. 23” x 16” x 14”, 2021

   [LEFT]       HEART OF A LEVIATHAN — ASEMIC CONSTRUCTION        Porcelain, stoneware, earthenware, hot glue. 23” x 16” x 14”, 2021    [RIGHT]       SO, THEY CALL THIS FORMAT TWO CHANNEL VIDEO — SEMIC RELATIONS OF  BAR/BAND

[LEFT] HEART OF A LEVIATHAN — ASEMIC CONSTRUCTION 

   Porcelain, stoneware, earthenware, hot glue. 23” x 16” x 14”, 2021

[RIGHT] SO, THEY CALL THIS FORMAT TWO CHANNEL VIDEO — SEMIC RELATIONS OF  BAR/BAND BINGHAM ITERATION

Unfired porcelain, stoneware, earthenware, nails. 81” x 168” x 2”, 2021

     DETAIL OF BAR/BAND COMPONENTS AND LEFT CHANNEL OF SO, THEY CALL THIS FORMAT TWO CHANNEL VIDEO — SEMIC RELATIONS OF BAR/BAND BINGHAM ITERATION       Unfired porcelain, stoneware, earthenware, nails. Dimensions variable, 2021

DETAIL OF BAR/BAND COMPONENTS AND LEFT CHANNEL OF SO, THEY CALL THIS FORMAT TWO CHANNEL VIDEO — SEMIC RELATIONS OF BAR/BAND BINGHAM ITERATION

Unfired porcelain, stoneware, earthenware, nails. Dimensions variable, 2021

     A CAUTIONARY BABBLING FOR VLADIMID TATLIN — ASEMIC CONSTRUCTION       Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021

A CAUTIONARY BABBLING FOR VLADIMID TATLIN — ASEMIC CONSTRUCTION

Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021

   [LEFT]       A LUMINIST GATHERING OF LENTICULAR CLOUDS FOR G. C. BINGHAM       Porcelain, insulation foam, ratchet strap. 8” x 38” x 6”, 2021      [RIGHT]       A CAUTIONARY BABBLING FOR VLADIMID TATLIN — ASEMIC CONSTRUCTION      &n

[LEFT] A LUMINIST GATHERING OF LENTICULAR CLOUDS FOR G. C. BINGHAM

Porcelain, insulation foam, ratchet strap. 8” x 38” x 6”, 2021 


[RIGHT] A CAUTIONARY BABBLING FOR VLADIMID TATLIN — ASEMIC CONSTRUCTION

   Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021

     AWRY-DETAIL OF THE DRIFTING BLUE STRAPPED LENTICULAR CLOUD        Porcelain, lavender insulation foam, ratchet strap, light & shadow. 14” x 40” x 12”, 2021

AWRY-DETAIL OF THE DRIFTING BLUE STRAPPED LENTICULAR CLOUD 

   Porcelain, lavender insulation foam, ratchet strap, light & shadow. 14” x 40” x 12”, 2021

     SPOILS OF THE CHURN: MOVING THE PILE or THE ONLY WAY OUT IS THROUGH       Unfired Stoneware, hand-truck, ratchet strap. 52” x 34” x 22”, 2021      A LUMINIST GATHERING OF LENTICULAR CLOUDS FOR G. C. BINGHAM       Porcelain, insula

SPOILS OF THE CHURN: MOVING THE PILE or THE ONLY WAY OUT IS THROUGH

Unfired Stoneware, hand-truck, ratchet strap. 52” x 34” x 22”, 2021

A LUMINIST GATHERING OF LENTICULAR CLOUDS FOR G. C. BINGHAM

   Porcelain, insulation foam, ratchet strap. 72” x 130” x 12”, 2021 

A CAUTIONARY BABBLING FOR VLADIMID TATLIN — ASEMIC CONSTRUCTION

‍ ‍ Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021

   SPOILS OF THE CHURN: MOVING THE PILE or THE ONLY WAY OUT IS THROUGH      ‍  ‍  Unfired Stoneware, hand-truck, ratchet strap. 52” x 34” x 22”, 2021

SPOILS OF THE CHURN: MOVING THE PILE or THE ONLY WAY OUT IS THROUGH

‍ ‍Unfired Stoneware, hand-truck, ratchet strap. 52” x 34” x 22”, 2021

Domestic Animal.jpg
     DAZZLE-FLAUGE: SCRIM N’ CUT — OBSERVER             Paper Porcelain, Polychome Inlay Slips, and Glazes. 14” x 7” x 6.5”, 2019

DAZZLE-FLAUGE: SCRIM N’ CUT — OBSERVER      

   Paper Porcelain, Polychome Inlay Slips, and Glazes. 14” x 7” x 6.5”, 2019

13 - Base Image DSC_1560 .jpg
   [TOP]       WE ARE (LEGION) or DREAMING OF COOLER TIMES — OBSERVER      [BOTTOM]       DETAIL OF VISIOR AND SURFACE INLAY OF WE ARE (LEGION) or DREAMING OF COOLER TIMES — OBSERVER       Stoneware, Polychrome Inlay Slip, Engobe, and

[TOP] WE ARE (LEGION) or DREAMING OF COOLER TIMES — OBSERVER

[BOTTOM] DETAIL OF VISIOR AND SURFACE INLAY OF WE ARE (LEGION) or DREAMING OF COOLER TIMES — OBSERVER

   Stoneware, Polychrome Inlay Slip, Engobe, and Glaze. 24.5” x 13” x 13”, 2019

   WIND IN THE EYES — OBSERVER       Ceramic. 5.5” x 4.75” x 4.75”, 2019

WIND IN THE EYES — OBSERVER

   Ceramic. 5.5” x 4.75” x 4.75”, 2019

   ERRANT — OBSERVER        Ceramic. 13” x 8” x 8”, 2019

ERRANT — OBSERVER 

   Ceramic. 13” x 8” x 8”, 2019

   BLOOD ORANGE VISORED — OBSERVER        Ceramic. 13” x 8” x 8”, 2019

BLOOD ORANGE VISORED — OBSERVER 

   Ceramic. 13” x 8” x 8”, 2019

   SATIN BLACK, STONEWARE, ANAGAMA FIRED — INCHOATE DRINKING VESSEL          Ceramic. 3.5” x 4.5” x 4.5”, 2014

SATIN BLACK, STONEWARE, ANAGAMA FIRED — INCHOATE DRINKING VESSEL 

   Ceramic. 3.5” x 4.5” x 4.5”, 2014

   ORANGE SLIP OVER BLACK PORCELAIN, OXIDATION ATMOSPHERE— INCHOATE DRINKING VESSEL          Ceramic. 4.5” x 5” x 4.5”, 2019

ORANGE SLIP OVER BLACK PORCELAIN, OXIDATION ATMOSPHERE— INCHOATE DRINKING VESSEL 

   Ceramic. 4.5” x 5” x 4.5”, 2019

   MOTTLED STONEWARE, WOOD-SALT FIRED — INCHOATE DRINKING VESSEL        Ceramic. 4” x 4.5” x 4.5”, 2014

MOTTLED STONEWARE, WOOD-SALT FIRED — INCHOATE DRINKING VESSEL

   Ceramic. 4” x 4.5” x 4.5”, 2014

   POLYCHROME SLIPS, RED-STONEWARE, OXIDATION ATMOSPHERE — INCHOATE DRINKING VESSEL          Ceramic. 4” x 4.5” x 4” 2018

POLYCHROME SLIPS, RED-STONEWARE, OXIDATION ATMOSPHERE — INCHOATE DRINKING VESSEL 

   Ceramic. 4” x 4.5” x 4” 2018

Ian Meares - An Inchoate Bowl from Kohila.jpg

   BLACK SLIP, RED INLAY AND FISH SCALE CELADON GLAZE, REDUCTION ATMOSPHERE — INCHOATE DRINKING VESSEL       Ceramic. 3” x 3.7” x 3.2”, 2019

BLACK SLIP, RED INLAY AND FISH SCALE CELADON GLAZE, REDUCTION ATMOSPHERE — INCHOATE DRINKING VESSEL

Ceramic. 3” x 3.7” x 3.2”, 2019

Student Work

    MFA,  K. Coughlin —  Appendage       Performer, Ceramic, Textile. 48” x 60” x 24”, 2018

MFA, K. Coughlin — Appendage

Performer, Ceramic, Textile. 48” x 60” x 24”, 2018

    MFA,  S. Mack —  (untitled) Hydrias       Ceramic. 30” x 26” x 17”, 2018

MFA, S. Mack — (untitled) Hydrias

Ceramic. 30” x 26” x 17”, 2018

    MFA,  D. Katz —  Mediated Landscape       Ceramic, Clay, Wire, Paint. 25’ x 32’ x 12’, 2012

MFA, D. Katz — Mediated Landscape

Ceramic, Clay, Wire, Paint. 25’ x 32’ x 12’, 2012

    MFA,  A. Puryear —  The Man with a Mask who makes Robots, with Robots     [Time Laps Views]    ‍  ‍  Ceramic, Plaster, Plastilina, Oobleck. 60” x 30” x 41”, 2012

MFA, A. Puryear — The Man with a Mask who makes Robots, with Robots [Time Laps Views]

‍ ‍ Ceramic, Plaster, Plastilina, Oobleck. 60” x 30” x 41”, 2012

    MFA,  E. Buss —  Wander | Wonder       Ceramic, Clay Dust. 2’ x 40’ x 30’, 2018

MFA, E. Buss — Wander | Wonder

Ceramic, Clay Dust. 2’ x 40’ x 30’, 2018

    MFA,  B. Pariso —  Bubblegum      [Multiple Views & Detail]     ‍  ‍   Ceramic, Soils, Thread, Bubblegum. 6’ x 2’ x 3’, 2012 

MFA, B. Pariso — Bubblegum [Multiple Views & Detail]

‍ ‍ Ceramic, Soils, Thread, Bubblegum. 6’ x 2’ x 3’, 2012 

    MFA,  H. Blackwell —  I am what I am     ‍  ‍  Ceramic, Lithophane, Auto-paint. 36” x 11” x 11”, 2011

MFA, H. Blackwell — I am what I am

‍ ‍ Ceramic, Lithophane, Auto-paint. 36” x 11” x 11”, 2011

    MFA,  C. Watkins —  Pierrot The Party-hound        Ceramic. 36 ”x 18” x 30”, 2012

MFA, C. Watkins — Pierrot The Party-hound

Ceramic. 36 ”x 18” x 30”, 2012

    Post-baccalaureate,  A. Bryant —  Devore ,  and Surface Detail        Earthenware. 3" x 23" x 11", 2019

Post-baccalaureate, A. Bryant — Devore, and Surface Detail 

Earthenware. 3" x 23" x 11", 2019

    Post-baccalaureate,  K. Luther —  At Rest        Photo, clay, model. 36" x 60" Print, 2012 

Post-baccalaureate, K. Luther — At Rest 

Photo, clay, model. 36" x 60" Print, 2012 

    Post-baccalaureate,  R. James   — ( Untitled) Pixel Head  #2       Woodfired earthenware, wire. 13" x 13" x 9", 2012

Post-baccalaureate, R. James — (Untitled) Pixel Head #2 

Woodfired earthenware, wire. 13" x 13" x 9", 2012

    BFA,  B. Cirgin —  Seems Simple        Ceramic. 24" x 24" x 6", 2012

BFA, B. Cirgin — Seems Simple 

Ceramic. 24" x 24" x 6", 2012

    BFA,  C. White —  Cycles        Ceramic, Paint. 8" x 20" x 6", 2012 

BFA, C. White — Cycles 

Ceramic, Paint. 8" x 20" x 6", 2012 

    BFA,  B. Cirgin —  Shaped Bowls     Anagama fired ceramic. 5" x 20" x 5", 2012

BFA, B. Cirgin — Shaped Bowls 

Anagama fired ceramic. 5" x 20" x 5", 2012

    BFA,  E. Pechacek —  Tamped Vase       Stoneware. 20" x 6.5 "  x 6.5", 2012 

BFA, E. Pechacek — Tamped Vase

Stoneware. 20" x 6.5" x 6.5", 2012 

    BFA,  G. Heaney — Two Figures       Earthenware. 14" x 20" x 8", 2012

BFA, G. Heaney — Two Figures 

Earthenware. 14" x 20" x 8", 2012

    BFA,  C. Smart ‍  —  Brown / Green Cup        Soda-fired ceramic. 3.5" x 3" x 3", 2012 

BFA, C. Smart‍ — Brown/Green Cup 

Soda-fired ceramic. 3.5" x 3" x 3", 2012 

    Introductory Ceramics,  Slab Project ‍  —  ‍  Trompe - l'oeil        Stoneware. 15" x 3.5" x 12", 2011 

Introductory Ceramics, Slab Project‍ — ‍Trompe-l'oeil 

Stoneware. 15" x 3.5" x 12", 2011 

    Intermediate Low Fire,   Slab Project  —  Contrasting Variations: Dazzle Camouflage (Rectilinear & Curvilinear)       Earthenware. 11" x 24" x 10", 2018

Intermediate Low Fire, Slab Project — Contrasting Variations: Dazzle Camouflage (Rectilinear & Curvilinear)

Earthenware. 11" x 24" x 10", 2018

    Introductory Ceramics,  Historical Project‍ ‍—  Dogū        Stoneware. 20" x 11" x 6", 2013 

Introductory Ceramics, Historical Project‍ ‍— Dogū 

Stoneware. 20" x 11" x 6", 2013 

    Beginning Sculpture,   Found Object Touchstone  —  Ascendant Cereal        Found object, Epoxy, Cereal, Paint. 6" x 9" x 6" 2020 

Beginning Sculpture, Found Object Touchstone — Ascendant Cereal 

Found object, Epoxy, Cereal, Paint. 6" x 9" x 6" 2020 

    Introduction to High Fire Ceramics,  Slab Project ‍  —  ‍  Winter Fox Butter Dish        Ceramic. 4.5" x 6" x 3.5", 2017 

Introduction to High Fire Ceramics,  Slab Project‍ — ‍Winter Fox Butter Dish 

Ceramic. 4.5" x 6" x 3.5", 2017 

    Intermediate Low Fire,  Historical Project‍ ‍—  Moche, Contrasting Variations: Decay & Study        Terracotta. 14" x 22" x 9", 2018 

Intermediate Low Fire, Historical Project‍ ‍— Moche, Contrasting Variations: Decay & Study 

Terracotta. 14" x 22" x 9", 2018 

    Intermediate Low Fire,  Historical Project‍ —  ‍  Jōmon, Contrasting Variations: Historic & Circuitry         Terracotta. 18" x 35" x 14", 2018 

Intermediate Low Fire, Historical Project‍ — ‍Jōmon, Contrasting Variations: Historic & Circuitry  

Terracotta. 18" x 35" x 14", 2018 

    BFA Seminar Laboratory Special Projects,  Thrown Project ‍  —  ‍  Standing Bubble Screen       Ceramic. 19" x 28" x 3", 2018 

BFA Seminar Laboratory Special Projects,  Thrown Project‍ — ‍Standing Bubble Screen

Ceramic. 19" x 28" x 3", 2018 

    Intermediate Low Fire,  Throwing Multiples   —  Doughnuts        Earthenware. 5 "  x 34" x 20", 2018 

Intermediate Low Fire, Throwing Multiples — Doughnuts 

Earthenware. 5" x 34" x 20", 2018 

    Introduction to High Fire Ceramics,  Functional Throwing Project ‍ ‍ —  Mug, Mug, Cup, and Mug       Ceramic. 5" x 22" x 4.5", 2018

Introduction to High Fire Ceramics, Functional Throwing Project‍ ‍— Mug, Mug, Cup, and Mug

Ceramic. 5" x 22" x 4.5", 2018

    Introduction to High Fire Ceramics,    Coil Building Project   — "Don't shoot! "      Ceramic. 13" x 9" x 4", 2018 

Introduction to High Fire Ceramics,  Coil Building Project — "Don't shoot!" 

Ceramic. 13" x 9" x 4", 2018 

    Introduction to Ceramics,  Historical Project   —  Classical Greece       Terracotta. 29” x 38” x 34” 2009

Introduction to Ceramics, Historical Project — Classical Greece

Terracotta. 29” x 38” x 34” 2009

15 - Meares Student Work.jpg
    Technical Ceramics,  Building with Materials  —  Translucent Cast Lighting     [Multiple Exposures]            Porcelain, electric cord. 16" x 5" x 4", 2018 

Technical Ceramics, Building with Materials —Translucent Cast Lighting  [Multiple Exposures]

Porcelain, electric cord. 16" x 5" x 4", 2018 

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     SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION       Porcelain, stoneware, earthenware, hot glue. 13” x 19” x 13”, 2021
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Portfolio
    MFA,  K. Coughlin —  Appendage       Performer, Ceramic, Textile. 48” x 60” x 24”, 2018
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Student Work
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