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Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION [recto]
Porcelain, stoneware, earthenware, hot glue. 13” x 19” x 13”, 2021
Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
[TOP] SINGLE CHANNEL PROJECTION, A SINGLE TON(E) FOR LEWITT
Unfired porcelain, nails. 84” x 146” x 2”, 2021
[BOTTOM] SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION [verso]
Porcelain, stoneware, earthenware, hot glue. 13” x 19” x 13”, 2021
Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
[LEFT] MIZZOU MANICULE: THE I THAT IS A WE, AND THE WE WHICH IS AN I
Paper US letter format, inkjet, blue tape. 84” x 109”, 2021
[RIGHT] A GODZILLA SPINED KANGAROO, STANDING LIKE A PENGUIN LOOKING UP AT THE MOON — ASEMIC CONSTRUCTION
Porcelain, stoneware, earthenware, hot glue. 32” x 15” x 14”, 2021
Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
A GODZILLA SPINED KANGAROO, STANDING LIKE A PENGUIN LOOKING UP AT THE MOON — ASEMIC CONSTRUCTION
Porcelain, stoneware, earthenware, hot glue. 32” x 15” x 14”, 2021
Study view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
5 + [ ] = 16 TILE BASE FOR MIZZOU MANICULE
Image studies of Manicule crimp makers hands, jpeg. Dimensions variable, 2021
Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
HEART OF A LEVIATHAN — ASEMIC CONSTRUCTION
Porcelain, stoneware, earthenware, hot glue. 23” x 16” x 14”, 2021
Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
[LEFT] HEART OF A LEVIATHAN — ASEMIC CONSTRUCTION
Porcelain, stoneware, earthenware, hot glue. 23” x 16” x 14”, 2021
[RIGHT] SO, THEY CALL THIS FORMAT TWO CHANNEL VIDEO — SEMIC RELATIONS OF BAR/BAND BINGHAM ITERATION
Unfired porcelain, stoneware, earthenware, nails. 81” x 168” x 2”, 2021
Study view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
DETAIL OF BAR/BAND COMPONENTS AND LEFT CHANNEL OF SO, THEY CALL THIS FORMAT TWO CHANNEL VIDEO — SEMIC RELATIONS OF BAR/BAND BINGHAM ITERATION
Unfired porcelain, stoneware, earthenware, nails. Dimensions variable, 2021
Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
A CAUTIONARY BABBLING FOR VLADIMIR TATLIN — ASEMIC CONSTRUCTION
Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021
Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
[LEFT] A LUMINIST GATHERING OF LENTICULAR CLOUDS FOR G. C. BINGHAM
Porcelain, insulation foam, ratchet strap. 8” x 38” x 6”, 2021
[RIGHT] A CAUTIONARY BABBLING FOR VLADIMID TATLIN — ASEMIC CONSTRUCTION
Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021
Close-up view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
AWRY-DETAIL OF THE DRIFTING BLUE STRAPPED LENTICULAR CLOUD
Porcelain, lavender insulation foam, ratchet strap, light & shadow. 14” x 40” x 12”, 2021
Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
[CENTER] SPOILS OF THE CHURN: MOVING THE PILE or THE ONLY WAY OUT IS THROUGH [recto]
Unfired stoneware, hand-truck, ratchet strap. 52” x 34” x 22”, 2021
[LEFT] A LUMINIST GATHERING OF LENTICULAR CLOUDS FOR G. C. BINGHAM
Porcelain, insulation foam, ratchet strap. 72” x 130” x 12”, 2021
[RIGHT] A CAUTIONARY BABBLING FOR VLADIMID TATLIN — ASEMIC CONSTRUCTION
Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021
Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.
SPOILS OF THE CHURN: MOVING THE PILE or THE ONLY WAY OUT IS THROUGH [verso]
Unfired stoneware, hand-truck, ratchet strap. 52” x 34” x 22”, 2021
Ybor Cloud
Stoneware, blue insulation foam, ratchet strap, light & shadow. 8’ x 8’ x 9”, 2011
Cartage Plates: Porcelain & Terracotta
Molochite, red grog, wooden pallets, plastic ice cream buckets. 3’ x 10’ x 6’, 2011
DOMESTIC ANIMAL (MUG SHOT)
Stoneware, soda fired porcelain, inlay slip, glaze, hot-glue, plywood, towel, chair seat, molochite. 14” x 16” x 15”, 2012
DAZZLE-FLAUGE: SCRIM N’ CUT — OBSERVER
Paper porcelain, polychome inlay slips, and glazes. 14” x 7” x 6.5”, 2019
[TOP] WE ARE (LEGION) or DREAMING OF COOLER TIMES — OBSERVER
[BOTTOM] DETAIL OF VISIOR AND SURFACE INLAY OF WE ARE (LEGION) or DREAMING OF COOLER TIMES — OBSERVER
Stoneware, polychrome inlay slips, engobes, and glazes. 24.5” x 13” x 13”, 2019
WIND IN THE EYES — OBSERVER
Stoneware, polychrome inlay slips, engobes, and glaze. 5.5” x 4.75” x 4.75”, 2019
ERRANT — OBSERVER
Paper porcelain, polychrome inlay slips, engobes, and glazes. 13” x 8” x 8”, 2019
BLOOD ORANGE VISORED — OBSERVER
Black stoneware, polychrome inlay slips, engobe, and glazes. 13” x 8” x 8”, 2019
TOHISOO VASE DIPTYCH
Anagama fired stoneware, polychrome slips, ash. 16” x 16” x 7”, 2016
SATIN BLACK, STONEWARE, ANAGAMA FIRED — INCHOATE DRINKING VESSEL
Ceramic. 3.5” x 4.5” x 4.5”, 2014
ORANGE SLIP OVER BLACK PORCELAIN, OXIDATION ATMOSPHERE— INCHOATE DRINKING VESSEL
Ceramic. 4.5” x 5” x 4.5”, 2019
MOTTLED STONEWARE, WOOD-SALT FIRED — INCHOATE DRINKING VESSEL
Ceramic. 4” x 4.5” x 4.5”, 2014
POLYCHROME SLIPS, RED-STONEWARE, OXIDATION ATMOSPHERE — INCHOATE DRINKING VESSEL
Ceramic. 4” x 4.5” x 4” 2018
STONEWARE, ANAGAMA FIRED — INCHOATE DRINKING VESSEL
Ceramic. 4.5” x 6.5” x 5.5”, 2016
SATIN BLACK, PORCELAIN, ANAGAMA FIRED — INCHOATE DRINKING VESSEL
Ceramic. 3.5” x 4.5” x 4.5”, 2014
SATIN POLYCHROME, PORCELAIN, WOOD-SODA FIRED — INCHOATE DRINKING VESSEL
Ceramic. 3.5” x 4.25” x 3.75”, 2014
BLACK SLIP, RED INLAY AND FISH SCALE CELADON GLAZE, REDUCTION ATMOSPHERE — INCHOATE DRINKING VESSEL
Ceramic. 3” x 3.7” x 3.2”, 2019
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