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Ian Meares

  • Ian Meares
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    Installation view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.      SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION   [recto]      Porcelain, stoneware, earthenware, hot gl

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    Installation view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.      SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION   [recto]      Porcelain, stoneware, earthenware, hot gl

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION [recto]

   Porcelain, stoneware, earthenware, hot glue. 13” x 19” x 13”, 2021

    Installation view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.    [TOP]       SINGLE CHANNEL PROJECTION, A SINGLE TON(E) FOR LEWITT          Unfired porcelain, nails. 84” x 146” x 2”, 2021

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

[TOP] SINGLE CHANNEL PROJECTION, A SINGLE TON(E) FOR LEWITT

Unfired porcelain, nails. 84” x 146” x 2”, 2021

[BOTTOM] SLEEPING MUSE, SLEEPING TORSK — ASEMIC CONSTRUCTION [verso]

   Porcelain, stoneware, earthenware, hot glue. 13” x 19” x 13”, 2021

    Installation view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.    [LEFT]      MIZZOU MANICULE: THE I THAT IS A WE, AND THE WE WHICH IS AN I       Paper US letter format, inkjet

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

[LEFT] MIZZOU MANICULE: THE I THAT IS A WE, AND THE WE WHICH IS AN I

   Paper US letter format, inkjet, blue tape. 84” x 109”, 2021

[RIGHT] A GODZILLA SPINED KANGAROO, STANDING LIKE A PENGUIN LOOKING UP AT THE MOON — ASEMIC CONSTRUCTION

   Porcelain, stoneware, earthenware, hot glue. 32” x 15” x 14”, 2021

    Installation view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.      A GODZILLA SPINED KANGAROO, STANDING LIKE A PENGUIN LOOKING UP AT THE MOON — ASEMIC CONSTRUCTION       Porce

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

A GODZILLA SPINED KANGAROO, STANDING LIKE A PENGUIN LOOKING UP AT THE MOON — ASEMIC CONSTRUCTION

   Porcelain, stoneware, earthenware, hot glue. 32” x 15” x 14”, 2021

     Study  view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.      5 + [  ] = 16 TILE BASE FOR MIZZOU MANICULE        Image studies of Manicule crimp makers hands, jpeg.

Study view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

5 + [  ] = 16 TILE BASE FOR MIZZOU MANICULE 

   Image studies of Manicule crimp makers hands, jpeg. Dimensions variable, 2021

    Installation view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.      HEART OF A LEVIATHAN — ASEMIC CONSTRUCTION        Porcelain, stoneware, earthenware, hot glue. 23” x 16

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

HEART OF A LEVIATHAN — ASEMIC CONSTRUCTION 

   Porcelain, stoneware, earthenware, hot glue. 23” x 16” x 14”, 2021

    Installation view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.    [LEFT]       HEART OF A LEVIATHAN — ASEMIC CONSTRUCTION        Porcelain, stoneware, earthenware, hot glu

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

[LEFT] HEART OF A LEVIATHAN — ASEMIC CONSTRUCTION 

   Porcelain, stoneware, earthenware, hot glue. 23” x 16” x 14”, 2021

[RIGHT] SO, THEY CALL THIS FORMAT TWO CHANNEL VIDEO — SEMIC RELATIONS OF  BAR/BAND BINGHAM ITERATION

Unfired porcelain, stoneware, earthenware, nails. 81” x 168” x 2”, 2021

    Study view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.      DETAIL OF BAR/BAND COMPONENTS AND LEFT CHANNEL OF SO, THEY CALL THIS FORMAT TWO CHANNEL VIDEO — SEMIC RELATIONS OF BAR/BAND BINGHA

Study view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

DETAIL OF BAR/BAND COMPONENTS AND LEFT CHANNEL OF SO, THEY CALL THIS FORMAT TWO CHANNEL VIDEO — SEMIC RELATIONS OF BAR/BAND BINGHAM ITERATION

Unfired porcelain, stoneware, earthenware, nails. Dimensions variable, 2021

    Installation view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.      A CAUTIONARY BABBLING FOR VLADIMIR TATLIN — ASEMIC CONSTRUCTION       Porcelain, stoneware, earthenware, hot glue. 21.5” x

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

A CAUTIONARY BABBLING FOR VLADIMIR TATLIN — ASEMIC CONSTRUCTION

Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021

    Installation view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.    [LEFT]       A LUMINIST GATHERING OF LENTICULAR CLOUDS FOR G. C. BINGHAM       Porcelain, insulation foam, ratchet strap. 8”

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

[LEFT] A LUMINIST GATHERING OF LENTICULAR CLOUDS FOR G. C. BINGHAM

Porcelain, insulation foam, ratchet strap. 8” x 38” x 6”, 2021 


[RIGHT] A CAUTIONARY BABBLING FOR VLADIMID TATLIN — ASEMIC CONSTRUCTION

   Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021

    Close-up view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.      AWRY-DETAIL OF THE DRIFTING BLUE STRAPPED LENTICULAR CLOUD        Porcelain, lavender insulation foam, ratc

Close-up view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

AWRY-DETAIL OF THE DRIFTING BLUE STRAPPED LENTICULAR CLOUD 

   Porcelain, lavender insulation foam, ratchet strap, light & shadow. 14” x 40” x 12”, 2021

    Installation view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.    [CENTER]   ‍   ‍ SPOILS OF THE CHURN: MOVING THE PILE or THE ONLY WAY OUT IS THROUGH    [recto]       Unfired stoneware, hand

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

[CENTER] ‍ ‍SPOILS OF THE CHURN: MOVING THE PILE or THE ONLY WAY OUT IS THROUGH [recto]

Unfired stoneware, hand-truck, ratchet strap. 52” x 34” x 22”, 2021

[LEFT]‍ ‍ A LUMINIST GATHERING OF LENTICULAR CLOUDS FOR G. C. BINGHAM

   Porcelain, insulation foam, ratchet strap. 72” x 130” x 12”, 2021 

[RIGHT] A CAUTIONARY BABBLING FOR VLADIMID TATLIN — ASEMIC CONSTRUCTION

‍ ‍ Porcelain, stoneware, earthenware, hot glue. 21.5” x 17” x 16”, 2021

    Installation view,   The Curse of Dimensionality ,  Bingham Gallery, University of Missouri, Columbia, Missouri.      SPOILS OF THE CHURN: MOVING THE PILE or THE ONLY WAY OUT IS THROUGH    [verso]      ‍  ‍  Unfired stoneware, hand-truck, ra

Installation view, The Curse of Dimensionality, Bingham Gallery, University of Missouri, Columbia, Missouri.

SPOILS OF THE CHURN: MOVING THE PILE or THE ONLY WAY OUT IS THROUGH [verso]

‍ ‍Unfired stoneware, hand-truck, ratchet strap. 52” x 34” x 22”, 2021

     Ybor Cloud        Stoneware, blue insulation foam, ratchet strap, light & shadow. 8’ x 8’ x 9”, 2011

Ybor Cloud

Stoneware, blue insulation foam, ratchet strap, light & shadow. 8’ x 8’ x 9”, 2011

     Cartage Plates: Porcelain & Terracotta        Molochite, red grog, wooden pallets, plastic ice cream buckets. 3’ x 10’ x 6’, 2011

Cartage Plates: Porcelain & Terracotta

Molochite, red grog, wooden pallets, plastic ice cream buckets. 3’ x 10’ x 6’, 2011

     DOMESTIC ANIMAL (MUG SHOT)        Stoneware, soda fired porcelain, inlay slip, glaze, hot-glue, plywood, towel, chair seat, molochite. 14” x 16” x 15”, 2012

DOMESTIC ANIMAL (MUG SHOT)

Stoneware, soda fired porcelain, inlay slip, glaze, hot-glue, plywood, towel, chair seat, molochite. 14” x 16” x 15”, 2012

     DAZZLE-FLAUGE: SCRIM N’ CUT — OBSERVER             Paper porcelain, polychome inlay slips, and glazes. 14” x 7” x 6.5”, 2019

DAZZLE-FLAUGE: SCRIM N’ CUT — OBSERVER      

   Paper porcelain, polychome inlay slips, and glazes. 14” x 7” x 6.5”, 2019

13 - Base Image DSC_1560 .jpg
   [TOP]       WE ARE (LEGION) or DREAMING OF COOLER TIMES — OBSERVER      [BOTTOM]       DETAIL OF VISIOR AND SURFACE INLAY OF WE ARE (LEGION) or DREAMING OF COOLER TIMES — OBSERVER       Stoneware, polychrome inlay slips, engobes, an

[TOP] WE ARE (LEGION) or DREAMING OF COOLER TIMES — OBSERVER

[BOTTOM] DETAIL OF VISIOR AND SURFACE INLAY OF WE ARE (LEGION) or DREAMING OF COOLER TIMES — OBSERVER

   Stoneware, polychrome inlay slips, engobes, and glazes. 24.5” x 13” x 13”, 2019

     WIND IN THE EYES — OBSERVER       Stoneware, polychrome inlay slips, engobes, and glaze. 5.5” x 4.75” x 4.75”, 2019

WIND IN THE EYES — OBSERVER

   Stoneware, polychrome inlay slips, engobes, and glaze. 5.5” x 4.75” x 4.75”, 2019

     ERRANT — OBSERVER        Paper porcelain, polychrome inlay slips, engobes, and glazes. 13” x 8” x 8”, 2019

ERRANT — OBSERVER 

   Paper porcelain, polychrome inlay slips, engobes, and glazes. 13” x 8” x 8”, 2019

     BLOOD ORANGE VISORED — OBSERVER        Black stoneware, polychrome inlay slips, engobe, and glazes. 13” x 8” x 8”, 2019

BLOOD ORANGE VISORED — OBSERVER 

   Black stoneware, polychrome inlay slips, engobe, and glazes. 13” x 8” x 8”, 2019

     TOHISOO VASE DIPTYCH      ‍  ‍Anagama fired stoneware, polychrome slips, ash. 16” x 16” x 7”, 2016

TOHISOO VASE DIPTYCH

‍ ‍Anagama fired stoneware, polychrome slips, ash. 16” x 16” x 7”, 2016

     SATIN BLACK, STONEWARE, ANAGAMA FIRED — INCHOATE DRINKING VESSEL       Ceramic. 3.5” x 4.5” x 4.5”, 2014

SATIN BLACK, STONEWARE, ANAGAMA FIRED — INCHOATE DRINKING VESSEL

   Ceramic. 3.5” x 4.5” x 4.5”, 2014

     ORANGE SLIP OVER BLACK PORCELAIN, OXIDATION ATMOSPHERE— INCHOATE DRINKING VESSEL       Ceramic. 4.5” x 5” x 4.5”, 2019

ORANGE SLIP OVER BLACK PORCELAIN, OXIDATION ATMOSPHERE— INCHOATE DRINKING VESSEL

   Ceramic. 4.5” x 5” x 4.5”, 2019

     MOTTLED STONEWARE, WOOD-SALT FIRED — INCHOATE DRINKING VESSEL        Ceramic. 4” x 4.5” x 4.5”, 2014

MOTTLED STONEWARE, WOOD-SALT FIRED — INCHOATE DRINKING VESSEL

   Ceramic. 4” x 4.5” x 4.5”, 2014

     POLYCHROME SLIPS, RED-STONEWARE, OXIDATION ATMOSPHERE — INCHOATE DRINKING VESSEL       Ceramic. 4” x 4.5” x 4” 2018

POLYCHROME SLIPS, RED-STONEWARE, OXIDATION ATMOSPHERE — INCHOATE DRINKING VESSEL

   Ceramic. 4” x 4.5” x 4” 2018

     STONEWARE, ANAGAMA FIRED — INCHOATE DRINKING VESSEL       Ceramic. 4.5” x 6.5” x 5.5”, 2016

STONEWARE, ANAGAMA FIRED — INCHOATE DRINKING VESSEL

   Ceramic. 4.5” x 6.5” x 5.5”, 2016

     SATIN BLACK, PORCELAIN, ANAGAMA FIRED — INCHOATE DRINKING VESSEL       Ceramic. 3.5” x 4.5” x 4.5”, 2014

SATIN BLACK, PORCELAIN, ANAGAMA FIRED — INCHOATE DRINKING VESSEL

   Ceramic. 3.5” x 4.5” x 4.5”, 2014

     SATIN POLYCHROME, PORCELAIN, WOOD-SODA FIRED — INCHOATE DRINKING VESSEL       Ceramic. 3.5” x 4.25” x 3.75”, 2014

SATIN POLYCHROME, PORCELAIN, WOOD-SODA FIRED — INCHOATE DRINKING VESSEL

   Ceramic. 3.5” x 4.25” x 3.75”, 2014

     BLACK SLIP, RED INLAY AND FISH SCALE CELADON GLAZE, REDUCTION ATMOSPHERE — INCHOATE DRINKING VESSEL       Ceramic. 3” x 3.7” x 3.2”, 2019

BLACK SLIP, RED INLAY AND FISH SCALE CELADON GLAZE, REDUCTION ATMOSPHERE — INCHOATE DRINKING VESSEL

Ceramic. 3” x 3.7” x 3.2”, 2019

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